{"id":847,"date":"2020-02-09T19:56:52","date_gmt":"2020-02-09T19:56:52","guid":{"rendered":"https:\/\/demo.gloriathemes.com\/noxe\/demo\/?page_id=847"},"modified":"2021-01-04T15:36:01","modified_gmt":"2021-01-04T14:36:01","slug":"director-v1","status":"publish","type":"page","link":"http:\/\/instytutgk.pl\/en\/","title":{"rendered":"Home"},"content":{"rendered":"

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<\/div>
filmmaker, theater director, teacher, writer, human being<\/div>
Grzegorz Kr\u00f3likiewicz<\/div>

Above all, he was an artist exceptionally immersed in Polish history and, more broadly, historiosophy. Almost all of his works refer to the past, which when properly presented, becomes a signpost and a point of reference for contemporary people in their choices.<\/span> <\/p>\n

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Kr\u00f3likiewicz's life motto<\/div>

\u201eI work for the future\u201d<\/h4><\/div>[\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-2 vc_col-md-2 vc_col-xs-12\u2033][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=\u201dstretch_row\u201d css=\u201d.vc_custom_1582722020831{margin-bottom: 115px !important;border-bottom-width: 1px !important;padding-bottom: 120px !important;border-bottom-color: rgba(0,0,0,0.1) !important;border-bottom-style: solid !important;}\u201d][vc_column offset=\u201dvc_col-lg-2 vc_col-md-2 vc_col-xs-12\u2033][\/vc_column][vc_column offset=\u201dvc_col-lg-8 vc_col-md-8 vc_col-xs-12\u2033]

\"This movie has drilled us all. There was nothing better in Polish cinema.\u201d<\/p>\n<\/div>

Krzysztof Krauze<\/span>About the movie \u201eNa wylot\u201d aka \u201eThrough and Through\u201d<\/span><\/div><\/div><\/div>

\"I remember an all-night discussion with great girls, students from Wroc\u0142aw, who could not believe that we really have someone like Herzog or Von Trier in Poland. I think, in fact, that if Von Trier had watched \"Through and Through\", he would have died of shame.\u201d<\/p>\n<\/div>

\u0141ukasz Maciejewski<\/span>on the dwutygodnik.com<\/span><\/div><\/div><\/div><\/div><\/div>[\/vc_column][vc_column offset=\u201dvc_col-lg-2 vc_col-md-2 vc_col-xs-12\u2033][\/vc_column][\/vc_row][vc_row css=\u201d.vc_custom_1581948712955{margin-bottom: 45px !important;}\u201d][vc_column][vc_row_inner gap=\u201d1\u2033 css=\u201d.vc_custom_1603669606474{margin-bottom: 100px !important;}\u201d][vc_column_inner offset=\u201dvc_col-lg-2 vc_col-md-2 vc_col-xs-12\u2033][\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-8 vc_col-md-8 vc_col-xs-12\u2033]
THE GRZEGORZ KR\u00d3LIKIEWICZ ARCHIVES<\/h5><\/div>[vc_column_text css=\u201d.vc_custom_1604355703114{margin-top: 35px !important;}\u201d]<\/p>\n

Today, after the death of Grzegorz Kr\u00f3likiewicz, we have created an archive so that all his works will be preserved and available. Today his films are an invaluable trace of the times in which he lived. They contain reminiscences of the war, an in-depth analysis of communism, as well as reflection on independent Poland and the time after transformation.<\/p>\n

He was a witness of the times. An artist who looked deeper, commented on reality. A committed citizen. An extraordinary unit. An original artist who was going his own way.<\/p>\n

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\u201cThe author of widely commented TV shows \u2013 with the legendary \u201cConstitution of May 3\u201d at the forefront, directed in the golden period of his career in the 1970s \u2013 provoked not only as a director, but also as a character. Kr\u00f3likiewicz aroused fear and mockery. He was controversial in good and bad sense of the word. He offended not only the authorities (with which he later flirted equally willingly), but also the viewers who could not accept his style \u2013 Kr\u00f3likiewicz never seemed to care about winning the favor of the crowds, he was satisfied with a small group of devoted fanatics.\u201d<\/em><\/p>\n

[\u0141ukasz Maciejewski\u00a0<\/em> http:\/\/www.dwutygodnik.com\/artykul\/1388-krolikiewicz-na-wylot.html<\/a>]<\/h6>\n

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In front of the camera, the gray-haired Pekosi\u0144ski in person, leaning on a cane, recreates his past as a child of war. He tells how the party and the Church fought for his soul and how no one managed to break him. Behind the walls of his cramped studio apartment undergo successive historical turmoil, but he continues his story, which is, in a sense, the story of the Polish \u201cEveryone\u201d.<\/em><\/p>\n<\/div>\n

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[Roman Paw\u0142owski: przypadek Kr\u00f3likiewicza, http:\/\/wyborcza.pl\/1,75475,1480417.html#ixzz3oUAALWZS<\/a>]<\/h6>\n<\/div>\n

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9<\/div>
feature films<\/div><\/div>[\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-1\/5 vc_col-md-1\/5 vc_col-xs-12\u2033 css=\u201d.vc_custom_1581947881770{margin-bottom: 60px !important;}\u201d][vc_separator color=\u201dcustom\u201d el_width=\u201d60\u2033 accent_color=\u201drgba(0,0,0,0.1)\u201d][\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-1\/5 vc_col-md-1\/5 vc_col-xs-12\u2033 css=\u201d.vc_custom_1581947885177{margin-bottom: 60px !important;}\u201d]
70<\/div>
television spectacles and theaters<\/div><\/div>[\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-1\/5 vc_col-md-1\/5 vc_col-xs-12\u2033 css=\u201d.vc_custom_1581947888638{margin-bottom: 60px !important;}\u201d][vc_separator color=\u201dcustom\u201d el_width=\u201d60\u2033 accent_color=\u201drgba(0,0,0,0.1)\u201d][\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-1\/5 vc_col-md-1\/5 vc_col-xs-12\u2033 css=\u201d.vc_custom_1581947892735{margin-bottom: 60px !important;}\u201d]
15<\/div>
books and literary essays<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=\u201dstretch_row_content_no_spaces\u201d css=\u201d.vc_custom_1581948823489{margin-bottom: 115px !important;}\u201d][vc_column]
<\/a>\"\"
Permanent Objections (Wieczne pretensje)<\/a><\/h5><\/div>
Watch the Trailer<\/div><\/div><\/div><\/div>
<\/a>\"Kadr
Neighbors (S\u0105siady)<\/a><\/h5><\/div>
Watch the Trailer<\/div><\/div><\/div><\/div>
<\/a>\"\"
Through and Through (Na wylot)<\/a><\/h5><\/div>
Watch the Trailer<\/div><\/div><\/div><\/div>
<\/a>\"Przypadek
The Case of Pekosi\u0144ski (Przypadek Pekosi\u0144skiego)<\/a><\/h5><\/div>
Watch the Trailer<\/div><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row css=\u201d.vc_custom_1581949423578{margin-bottom: 65px !important;}\u201d][vc_column][vc_row_inner css=\u201d.vc_custom_1581949179006{margin-bottom: 100px !important;}\u201d][vc_column_inner offset=\u201dvc_col-lg-2 vc_col-md-2 vc_col-xs-12\u2033][\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-8 vc_col-md-8 vc_col-xs-12\u2033][vc_column_text css=\u201d.vc_custom_1609759838051{margin-top: 35px !important;}\u201d]In Poland, after the transformation, his work proved too difficult, too rough to compete with commercial productions. The need to earn money with viewers, commercials, as well as political arrangements excluded Kr\u00f3likiewicz \u2013 his films were not intended for crowds. And yet The Case of Pekosi\u0144ski (pol. Przypadek Pekosi\u0144skiego) and Neighbors (pol. S\u0105siady) were appreciated by critics.<\/p>\n

He also did not stop making documentaries. He created for the elite \u2013 all the more reason to keep his works in an era when everything is for sale, when it is important to sell as much as possible. The works of Kr\u00f3likiewicz, today and in the future, will turn out to be unique, exceptional in comparison with contemporary mass culture.[\/vc_column_text][\/vc_column_inner][vc_column_inner offset=\u201dvc_col-lg-2 vc_col-md-2 vc_col-xs-12\u2033][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=\u201dstretch_row\u201d divider-background=\u201dtrue\u201d divider-background-position=\u201dbottom\u201d divider-background-height=\u201d60%\u201d divider-background-color=\u201d#fbf1ec\u201d][vc_column]

Grzegorz Kr\u00f3likiewicz<\/div>
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